I was really struggling to think of a song that reminds me of a certain event when my lovely girlfriend reminded me of something that happened when we first started seeing each other. Something that has changed this song forever. Now, whenever we hear the opening of Road to Nowhere we can’t help but have a little giggle.

One night we had been hanging out, and things were starting to get a bit… look, we had just started seeing each other, I’m not going to get into it… but basically we had gone in for our first big kiss, it was to be an important step in our relationship. In the background we were watching/listening to the music video show Rage, but obviously not paying too much attention to it.

Lips touch for a millisecond when we hear “Well we know where we’re going…” and Giselle jolts upright and snaps her head towards the TV screen.

“What’s wrong?!”

“I love this song! I’ve never seen this video before!”

“wot.”

It’s fair enough really, one of the reasons we were initially so attracted to each other was because of Talking Heads, and they are one of the bands that we are both incredible in love with and we can always put on a Talking Heads record and dance and make be happy. This moment is dear to us both and is indicative of the silliness we have together.

I asked Giselle for a comment about this certain event. She told me to post this:

You would definitely not think so from any of the trailers, but Rango is a fun and very well put together film with some great animation and acting, interesting characters and one of the best chase sequences I’ve seen in years. It’s also definitely not for kids, as the trailer would suggest, and it’s also not even close to being an animated Fear and Loathing. I don’t even understand why people have been saying this. People are stupid.

But back to the trailers… to say that I was put off by them is an understatement. I even struggled to find a good clip to accompany this review, something that would show just a little bit of the quality and story that can be found in this film. There wasn’t one moment where the film didn’t lose my interest, but I guess that’s not hard when you give me a western… and animate it… and add in a mariachi band made up of four little owls. The Owls are lucky, they can fly around and find some water, but unfortunately for the rest of the inhabitants of Dirt, the little desert town Rango finds himself in, finding this precious resource is a bit more difficult. In fact, water runs the town – it’s the local currency. Run out of water and not only can you not buy a new house… you could even die!

For the next two hours we are witness to a masterpiece of animation, some nice jokes and some excellent characters. A lot of time has been spent crafting every little animal we see, from the character design to the voice acting. If you didn’t read his name on the poster walking in, you wouldn’t even know that Johnny Depp was providing the voice of Rango, and I don’t hesitate to say that it is his best performance in years. Bill Nighy is great as the viscous Rattlesnake Jake, Abigail Breslin cute as always as the little cactus mouse Priscilla and a short but hilarious appearance by Alfred Molina as an armadillo named Roadkill really shows the care that went into selecting these actors.

This film also represents something else exciting – the emergence of Industrial Light and Magic as a feature Animation studio. The animation in Rango is flawless, and I commend Nickelodeon for allowing IL&M to go crazy here. The animals surpass even the best character work of Pixar, and that really is something difficult to achieve. It really does feel like we are in the middle of one of the best eras of animation that film has ever seen, and I’m always happy to see another studio joining the fray and putting together such an excellent piece of work. This is also Nickelodeon’s best film to date and I can only hope that they are setting themselves a new quality benchmark.

This song reminds me of Perth more than any other song I know, and it really should for a song from an album titled A House on a Street in a Town I’m From. I still enjoy listening to a lot of music from my home city, and I have fond memories of the few years I was able to really enjoy being in that scene before I moved to Sydney. It really was a fun time for Perth music, but a lot of the music from then I now associate with different times and places in my life.

There really was no ‘Perth sound’ – a term that journalists were throwing around to describe the output from the influx of Perth bands into the Australian and international landscape. The Panics is really the only band from this time that I think were making music that really sounded like the place it was coming from. This song is a great example – laid back, warm, heartfelt a bit breezy but confident. It makes me think of everything I love and miss about Perth.

I actually didn’t see this video until a few years later, after I had already left Perth, and I remember it making me a bit emotional when I first saw it. It still does. Family home videos and shots of houses that very much look like the ones around the places I grew up? This video really is something very nice.

The Panics relocated to Melbourne around the same time I moved to Sydney, and their next two albums Sleeps Like a Curse (2005) and Cruel Guards (2007) feel like a band growing and changing in a new environment, a nice parallel to my own life. They are still one of the most unique talents this country has produced, and I am happy that I have something so perfectly in tune with my life and experiences of my youth.

If you are interested in finding out a bit more about the Perth bands of this time, there is a pretty good documentary about the period called Something in The Water.

I used to work in a local supermarket in Newtown, a suburb in Sydney’s Inner West. It was the first main job I was able to find after I moved here from Perth five years ago, and I quite enjoyed my time there. Sure it was pretty basic work, but I made pretty good money, they were flexible and I worked with some cool people, and I am still good friends with one of them today.

I was there for a few years while at university and moved around the store quite a bit, taking on different roles and doing a variety of tasks. My favourite department to work in was the dairy department – working in the chillers. Although I think I started to develop arthritis in my knuckles due to the cold, it was fun working in the fridges and freezers. You know what sounds really lame but is actually a little bit cool? Playing with barcode scanner ordering devices in a freezer with the lights off. Sending laser beams everywhere! Looking back on it, I guess it was kind of boring. But hey, still fun times!

When I was working in the chiller section it was basically just me and my manager, Mina, who was always enjoyable to be around, so we had lengthy chats and got to know each other quite well. He liked to sing along to the music on our in-store radio… well he wouldn’t sing that much, but there were moments when you would just hear him quietly sing a few lines of a song here and there… but always the same songs each day. The music system we had was on a loop that would start over a few times a day, and after a few weeks of the same thing, you could anticipate the next song every time. I suspect the same loop is still playing in the store now, three years later.

When Don’t Let The Sun Go Down was about to start, I would always try and make my way to wherever Mina was working. If you listen up until 2.55 it’s just George Michael singing… which is great enough, I know, but there is a break in the song and Michael says “ladies and gentlemen, Mr Elton John!” and the crowd goes crazy. It’s at this point, after being silent the entire song, Mina would quietly, almost under his breath, make the sound of a crowd roaring.

Think of a mix between ‘yyeeeaaahhhhhh’ and ‘aaaahhhhhh’ and ‘rrrroooooaaaarrrrr’ but real quiet and kind of sounding like a crowd roaring. The best example I can think of is the part in the Family Guy movie where Stewie says “Yeah, well, who comes out a winner? Me. (Makes cheering sound) Griffin once again. (More cheering) Undefeated champion of the world (More cheering)” and makes the exact same sound. A video of this does not seem to be on the internet. I hoped it would be as it would make this whole post make sense, but I guess now you will be unenlightened by my manager’s greatness. Sucks to be you! I guess you do get to listen to a mediocre song by George Michael and Elton John, so it’s not all bad, right?

Number four is difficult! Songs that make me sad are few and far between – I don’t tend to listen to much music that makes me feel that way. I understand why people do though, and there are times where I have found sad music to help me through tough times, to have someone word things better than my brain can and show me that I’m not the only one being a sad panda.

Sad music has this strange way of clearing out every thought in your head and leaving you feeling simultaneously empty and full. Beck’s incredible album Sea Change has this affect on me. On no other record does he sound this real, this intimate – he has no electronics or loud guitars to hide behind – and it is intense. This is my favourite album of his, and I think this is primarily because it is his only album that I can really connect with, that he can make me feel something.

The first track on Sea Change, The Golden Age, opens up an album of heartbreak as Beck deals with the aftermath of a messy breakup. This song is about forgetting the weight he is carrying, trying to get away from the depression he is feeling but realising that it’s going to be a long trip. Sea Change is this journey, and The Golden Age sets the mood perfectly as we drift into Beck’s world.

“These days I barely get by… I don’t even try”

The majority of music I listen to is music that makes me happy, so it is quite difficult to pick a song to put here. I needed to find a song that makes me happy for a bigger reason than just it being a fun, happy song. What makes me happy more than anything else? This lovely lady! (awwwww) So what song makes me happier than any other? The one that most reminds me of her and us!

Most couples have their ‘song’ – the one they have their first dance to at their wedding, the one they play to each other when they aren’t doing too well. This concept is kinda lame but kinda cute at the same time, and I guess Your Magic is Working by Of Montreal could be ‘our song’ and that is why it makes me happy. It’s about not knowing how great love can be until you find it.

Plus, it is just a great tune, fun and bouncy and cute, and I do not want to meet the person who doesn’t smile when listening to it. Of Montreal have been a go-to band for happy times for me the last few years but this song is the one that means the most to me. I was lucky enough to see the band play on the last night I was in London in 2009, and it was one of the most interesting, crazy and fun shows I’ve ever been to.

I am completely aware of how sappy and gross this post was and I do not apologise.

There are many songs out there that are terrible, unlistenable, offensive, boring – especially from the last few years – but including them as part of this list would validate them as actually being a song, something which should not be thrown around freely. It would be too easy to put something by the Black Eyed Peas or Creed up here, and I don’t want to do that. I wanted to find something truly awful. Something I truly hated. Something that offends me so much that it makes me physically ill.

Those close to me know there is one instrument that I hate the more than the instruments used by a dentist. The saxophone. I am completely aware that it is the most irrational hatred to have… but there is something about this instrument that seriously irks me. Those sounds should never ever, ever be made. Ever.

The song I have chosen as my least favourite song is seen as a masterpiece of the late 70s sax-ballad-pop genre, of which it may be the only song. Now I don’t admit to knowing much about Gerry Rafferty at all, but I’m almost certain that he was not a very nice man and that he really hated most people. I’m sure he had some friends that he was nice to and would share scones with, but you really need to have some sort of vendetta against the world to record and release this piece of music.

One day he was having tea with a friend, Raphael Ravenscroft, who also happened to hate the world. I’m not sure why Gerry hated the world, but Raphael had a great reason – in the most inspired form of punishment a parent could ever think up, he was forced to learn the saxophone throughout his childhood. He probably only said ‘hell’ in front of grandma, but that one mistake would cost us big.

“You know what that song of yours needs, Gerry?”
“It is missing something, isn’t it? It’s quite a nice song as is, but I intended it to be truly awful”
“I really think it needs some sax. I think the chorus should be a sax solo… EVERYONE would hate that.”

Turns out they were wrong. For some reason, Australians decided that they really enjoyed being punished by sax, and sent this song to number 1 on the ARIA charts. Around the world this song has been performed OVER FIVE MILLION TIMES. There is no way to escape. NO WAY TO ESCAPE.

AND YOU KNOW WHAT ELSE?! This song once had words. Earlier this evening, while googling ‘awful instrumental sax song’ trying to find a youtube video, I happened across the original, non-instrumental version. As if this wasn’t bad enough, they decided to lay one more blow on the world. Someone around the office one day said “you know what, this song needs less vocal and more sax” and instead of that person being sent to gaol THEY DECIDED TO RELEASE IT.

I am sorry. I am so sorry to have linked you to this video.

I have been introduced to people as “the guy who loves Blur” before, and although I wouldn’t want that to define me, for a large part of my life it did, and in some ways still does. 2009 was a big year in my life where I spent 6 months overseas and was fortunate enough to see Blur, my favourite band throughout the last decade, 5 times across Europe. I saw them play in front of the smallest and the largest crowds I’d ever been a part of, but there was one thing missing from the experience – I was never able to see them play Battery in your Leg live.

I’m not ashamed to say that Think Tank was the album that made me fall in love with this band… I definitely missed the boat during the britpop era, and it will forever be my favourite Blur album. This album changed what music could be for me and altered my musical path.

Think Tank closes with Battery in your Leg, a song written during a time when the band was falling apart and searching for a way out, and you can feel this – in the music, in the vocal, in the lyrics. Damon sounds on the edge of breaking down the entire song, the piano and guitars are full of desperation. It makes me sad, it makes me feel hopeful. The song is about longing for better times, remembering what you used to have. It’s about rebuilding – it’s sad but not hopeless, and there is no getting around these feelings while listening to the song.

Simple but perfect. Sad but not.

I listen to Think Tank quite a lot, and after listening to this song I can’t help but sit in silence for a long time afterwards. I can understand why this song was only played a couple of times in 2009, and I’m sure they stopped me from a tearful breakdown by not playing it at any of the shows I saw. It has helped me through some tough times, and I am thankful.

And that is my favourite song.

I’ve never written about my thoughts on 3D. The people who hate the format are usually rather vocal about it, but I guess when you are coming up against James Cameron it’s kind of a necessity. The haters think that 3D is a money-grabbing gimmick, a way for cinemas to pull in more customers and charge them a higher price, while studios use the inflated numbers to get higher in the top-grossing film charts. Adjusted for inflation, Avatar isn’t even in the top 10 highest grossing films, even though it has made almost $1 billion more than Titanic.

The argument against 3D films can be rather convincing, but I think that it largely misses the point. I see 3D as just another tool in the filmmakers belt, a creative decision that directors can make to build their creative vision. 3D is not for everyone, but it’s no different to any visual decision made for any film. But that is where my issue with the re-release of Beauty & the Beast lies – 3D is a creative decision to be made while making the film. I believe that once a film has been released, that should be it, it’s done, complete and everyone moves onto the next thing.

Beauty & the Beast 3D isn’t bad, it just didn’t need to be made.

The parallels between this and something like the original Star Wars trilogy is obvious. There is no need to get caught up in new technology to try and make something better – make something new, damnit! Like the Star Wars films, Beauty & The Beast is still that amazing film it was back in 1991, but the additions don’t do anything to enhance the experience, and in fact they weaken the original vision.

But lets get into the film, and the changes that have been made (I won’t even touch on the other big issue with the film – the altered prologue), and I can report that it isn’t all bad… just mostly. The 3D isn’t too evident for about 50% of the film, take off your glasses and you can tell. The most obvious 3D sections are outdoor shots where there is a lot of movement through buildings and trees, and the effect is quite convincing some of the time. Unfortunately though, most of the longer movement shots don’t look that nice – they too often look like layers of paper moving backwards and forwards. If you have seen an animatic, or the video production at the recent Pixar exhibitions, you will understand what I mean. It looks cheap and doesn’t do anything to pull you into the animation in the way that the recent Pixar films have used 3D, for example. You can feel that something has been added that maybe shouldn’t be there.

And that good thing I was talking about? The waltz scene! I have a feeling that this 3D conversion was green-lighted because of this scene alone. Famous for being one of the first uses of computer 3D animation in a feature film, this part of the film didn’t feel like anything was forced into a 3D machine. Truly, it is quite spectacular.

Would I recommend Beauty & The Beast in 3D? Yes, for two reasons. Firstly, the waltz scene is worth the price of admission (and yes, I know how dumb that sounds after my first paragraph up there) and the second is that it is probably going to be the only way for many people to be able to see this film in cinemas again – or for the first time. It was great seeing a cinema full of young kids experiencing such a classic film in this setting, even if it did have 3D cobbled on top of it.

LET ME SET THE SCENE: It is June 24th, the release date of Toy Story 3 here in Australia. At the IMAX theatre in Sydney, the largest screen in the world, with 3D glasses and a box of popcorn. I WAS THERE… and these are my thoughts…

Firstly, the popcorn was average. The box broke and popcorn fell out all over my girlfriend, but we sorted that situation out and got right back into watching the movie and eating more popcorn. I also had some water, and drank about half of the bottle before placing it in my bag and taking it out of the cinema with me afterwards. That’s about it, pretty great night.

WAIT, NO! Holy chickens! I SAW TOY STORY 3!

This isn’t really a review because I feel that I can’t properly review any Pixar film – my words would be too full of love and jizz that it could never be considered impartial. But I will say this: Lee Unkrich has excelled himself here and this film has brought to end what many would consider (including myself) to be the greatest trilogy of all time. I’m going to break this down into little dots.

  • Day & Night is the most beautiful short Pixar has created. I’ve written more about that below.
  • About ten minutes into the film I was getting a bit worried. The film starts off feeling a bit like a rehash of Toy Story 2, dripping in the same themes of abandonment and forgotten love as the toys come to face an uncertain future. THEN the film slaps you in the face (with a bunch of adorable, crazy daycare kids) and calls you a stupid, stupid human for even considering that they would even attempt to tell the same story again. Michael Arndt, who previously wrote Little Miss Sunshine, has done a great job with the story. His writing track record is two from two right now.
  • I am glad that I have not purchased a Lots ‘o’ Huggin bear as of yet as I don’t think I could sleep with one of them in my bedroom. The only thing I can compare him to is a drug den hidden inside a candy store. You’ll see.
  • Along with Lotso (voiced by Ned Beatty), the new characters bring a lot to the table. It’s sad to see some old favourites go (poor wheezy), but the new toys are definitely not half-assed creations. Ken and Mr Pricklepants steal every scene they are in, in a large part thanks to the great voice acting by Michael Keaton and Timothy Dalton.
  • Make sure you bring some tissues. There are moments in every Pixar film that will squeeze out those tears, but in Toy Story 3 they aren’t just at the beginning or the end… there are numerous moments of utter sadness, and others that are genuinely frightening. Sit right up the back if you don’t want to drown in the downpour.
  • One scene near the end of the film is so deeply moving that it has been the only thing playing over and over in my head ever since leaving the theatre. I can’t even say anything about it without spoiling it, but the direction and the music and the subtle animation all come together to create something that… I could never have thought that I could feel such a strong emotional connection to this set of characters.
  • The ending was perfect. It’s very difficult to finish off a trilogy of work in a way that feels right. Here, the audience doesn’t feel cheated, they don’t feel like there is anything left unresolved, but you still leave thinking about these characters and their future. If by this point there is a dry eye left in the theatre, they should be barred from being a person.
  • Watching the three Toy Story films in succession is one of the best ways to show Pixar’s development as a studio, technologically and also in their storytelling and animation. The characters and stories have always been there, but time has allowed the artists to take stories to a place that was never possible back in 1995 when Toy Story was released. In saying that, this film definitely feels extremely attached to the first two films and although it is more advanced in many ways, it never feels out of place amongst them.
  • Toy Story 3 is funny. Very funny. The animators have had a hilarious field day with some of their work. The animation of Ken and Barbie is spot on and the scenes featuring a tortilla and spanish dancing are inventive, funny and so perfectly drawn.
  • While it is sad that Jim Varney is no longer with us to voice Slinky Dog, the character was voiced in Toy Story 3 by Blake Clark, who played a character in the first season of Community as a gym teacher. I love Community.

I think that is all I can say right now. I obviously loved it, but I don’t feel safe in saying where it sits in the ladder of Pixar films just yet. Also, this is the last thing I’ll write about Pixar for… a month. I PROMISE! Maybe a week.

The video above is called ‘Groovin’ with Ken’ and is part of the advertising campaign for the film. It is an interview with Ken, played by the great Michael Keaton.